Earlybird tickets released for our Festival Weekend

For the second year in a row, our annual Festival Weekend will be taking place at the beautiful Hammond Theatre at Hampton School, West London, on the 21st and 22nd April 2017.

The Festival Weekend is undoubtedly the highlight of The Voice Festival’s calendar. The weekend, which includes our annual championships, brings together hundreds of participants and audience members in a celebration of singing and creativity. While it’s too late to apply to compete this year, members of the public can still get involved in other ways. Read on to find out how!
 

1) Cheer on your favourite group as it competes to become VF-UK champion

We have three separate competition categories – Youth, University, and Community. You can purchase tickets to each individual final – get yours here, from £12 (get 25% off before 7 April).
 

2) Rub shoulders with fellow singers and attend our series of workshops and forums across the weekend

Throughout the weekend, internationally renowned a cappella professionals will lead a series of workshops on improvisation, beatboxing, vocal health, dancing, recording, and more. These workshops are open for everyone to attend – purchase your Weekend Pass to join us in the workshops, and gain access to all the competition finals too, from £39 (get 25% off before 7 April).
 

3) Join the conversation on social media

Can’t be there on the weekend? We’ll be sad to miss you, but we’ll be sharing all the best bits of the weekend on our Twitter and Facebook accounts, as well as live-streaming the results announcements on Facebook Live, so you don’t get that FOMO feeling. Got something to say? Use the hashtag #VFUK2017.
 
We’re looking forward to welcoming you to West London in just 6 weeks!


Judging Lineups: Youth Final

We’re really excited to be able to announce our judging lineups. Here’s the judges who will be picking our Youth Winner. Remember you can get tickets here.

 

TobiAS Hug

Tobi

Tobias Hug has been singing, teaching, travelling for almost 20 years – an a cappella journeyman and beatbox gypsy. He is deeply involved in the a cappella and choral music scene around the globe, a connecting and well-connected figure. Based in London, Tobias has performed or collaborated with The Swingle Singers, Bobby McFerrin, World Music stars Zap Mama, the Puppini Sisters, the London Voices, Jazzchor Freiburg and many more. He currently performs with his The Beatbox Collective, with his own Loop Solo Programme and focusses on Master Studies in ‘Rhythmic Choir Conducting’at the Royal Conservatory of Aalborg, Denmark. His new group Beatvox recently won the UK Event Entertainment Award 2014 for Best New Act (‘Beat the Brief’ Competition).

His deep passion and commitment to teaching leads to workshops and residencies in places as diverse as Singapore, Norway, China and Kenya. Italy though has always been an important centre of his work. As session singer and member of London Voices he has performed on numerous movie soundtracks including The Hobbit and Interstellar. As a voice-over artist, Tobias has been featured on several BBC Radio programmes and commercial computer games.

From 2001-2012, Tobias sang with Grammy-Award winning a cappella group The Swingle Singers and was one of their longest-serving members. As their bass and vocal percussionist he was part of seven studio albums, and performed more than 700 concerts in the great concert halls (from Teatro alla Scala to the Kremlin Palace), with the great orchestras (from the Vienna Philharmonic to the Academia di Santa Cecilia) and with great artists (from Zubin Mehta to Jamie Cullum). As their former Artistic Director he set up collaborations and projects, as well as TV appearances. Together with beatboxer Shlomo (featured on Björk’s album “Medúlla”) he founded the world’s first beatbox choir (now the “Vocal Orchestra”). The Swingles’ or Tobias’ arrangements and voices can be heard on TV show “Glee”, on the most recent Monty Python movie as well as adverts (T-Mobile’s “Welcome home” Flashmob campaign, with 14 Million hits on YouTube).

Born in the midst of the Black Forest, in Freiburg, Germany, Tobias studied Music Education and never limited himself to one particular form of music, exploring anything from throat singing to vocal jazz, from Early Music to beatboxing. Beyond the a cappella world, worked or performed with German techno legend Tiefschwarz, experimental music artist Aphex Twin, classical pianist Katia Labeque, the late Les Paul, loop wizard and Imogen Heap-Collaborator Tim Exile…and many more.

Tobias is co-founder of the London A Cappella Festival and EVA, the European Voices Association and most recently of the italian a cappella festival Vocalemente which he is also Artistic Director and Executive Producer. He advises and adjudicates at festivals like VocalAsia (China), Terem Crossover Competition (St.Petersburg/Russia) the UK Beatbox Championships, Solevoci (Italy), The Voice Festival UK and the CARAs (Recording Awards).

 

Ben Sawyer

ben_sawyer

Ben is quickly gaining an enviable reputation as a dynamic conductor and choir trainer, always able to draw the best from his singers. Having left his role of Head of Music at Tewkesbury School in August 2012, he has been in regular demand to lead workshops, start new choirs and conduct existing ones.

He has been Chorus Master for Gloucestershire Music’s Massed Chorus of 500 students which performed at the Royal Albert Hall in the ‘Music For Youth’ in November 2012. This has led to him being a founder conductor of the new Gloucestershire Youth Choir. Ben was also Assistant Conductor for Cheltenham Festival’s production of Benjamin Britten’s community opera, ‘Noye’s Fludde’, and he regularly conducts Tyndale Choral Society, Hanley Voices and Tewkesbury Voices.

Aside from conducting, Ben sings countertenor. He is a member of the international award winning male voice a cappella group, The Songmen. With The Songmen, he has toured America, China, much of Europe and performs regularly in the UK. He is also the group’s composer-in-residence and has had a number of his compositions and arrangements played on national radio. Ben has been a lay clerk at Birmingham and Gloucester Cathedrals and sings with Tewkesbury Abbey Schola Cantorum, as well as being in demand as a countertenor soloist.

 

Andrew Panton

Andrew-Panton-2-239x300

Award winning director Andrew Panton has held residencies at The Royal & Derngate Theatres, Perth Theatre, Stage Door (New York) and The Stephen Joseph Theatre, where he directed a premiere season of Sir Alan Ayckbourn’s work.

He is the creative director, vocal & performance coach for Susan Boyle who shot to fame following her appearance on Britain’s Got Talent in 2008 and went on to have the fastest selling UK debut album of all time.

Andrew is the Artistic Director of Musical Theatre at the Royal Conservatoire of Scotland.


2013 Community Champions: What it’s meant to us – by Original Sing

Original Sing, Community Champions 2013When we first heard about the Voice Festival UK, I was excited that at last, many more people were getting into a cappella singing and taking it seriously. And that of course would mean new friends, new opportunities, new chances to learn. But most of all, it meant we (my lot, Original Sing) weren’t doing it on our own any more. Nearly all of us were formerly members of the group Naked Voices, which grooved up and down the country gigging everywhere for 10 years up until 2008, including the Edinburgh Fest 3 times, having a ball. But during all this time we were sitting in a bubble talking to only ourselves, because we so rarely encountered any other a cappella singers.
 
When Naked Voices closed down with the retirement of the MD, 2/3 of us were desperate to keep singing. For various reasons we couldn’t keep the old name and had to start a new group. But in so doing, we had to start again from scratch to build up a new reputation. Our self esteem took a *big* hit. Without the name, would anyone come to our shows? Would we be able to actually make it without our old leader, teacher and mentor Dee? Were we *good enough* on our own?
 
We spent a LONG time taking our music apart, piece by piece, going back to absolute basics to work out what we could improve, how and where. I only ended up as MD by dint of being the one who refused to give up or give in no matter what, flying by the seat of my pants the entire way! 
 
So you see, we went from success to collapse, to rebirth but with confidence dented and no way to know if we were on the right track. And that’s why the Voice Festival accolade has meant so much – it is VALIDATION and uplift. Recognition from our peers and from such sh*t hot judges means we that CAN still do it and all the work we’ve put in trying to rebuild ourselves has paid off. The VF Community Championship win has been a massive shot in the arm of adrenaline and confidence. And that is priceless. 
 
The 6 months since then has been a bit slow for various reasons, but we’ve had some fab moments. We brought the house down in London for the Brandenburg Choral Festival in March. And in recent Bristol gigs we’ve been keeping up our sob rate of 10% (that’s the % of the audience who are openly sobbing by the end of the show – for some reason they find what we do rather moving). We’re currently working towards our annual outing at the Bristol based Festival of Song (see www.festivalofsong.org.uk), a massive 120 singing shows in 9 days. A blast if you’re out this way in October.
 
So thank you to everyone at VF-UK for your kind support. We look forward to being part of the Voice Festival for many years to come I hope and to sharing together this gorgeous thing that we all do with new friends up everywhere.  See you all again in the new year.
 
By David Green, Original Sing