Earlybird tickets released for our Festival Weekend

For the second year in a row, our annual Festival Weekend will be taking place at the beautiful Hammond Theatre at Hampton School, West London, on the 21st and 22nd April 2017.

The Festival Weekend is undoubtedly the highlight of The Voice Festival’s calendar. The weekend, which includes our annual championships, brings together hundreds of participants and audience members in a celebration of singing and creativity. While it’s too late to apply to compete this year, members of the public can still get involved in other ways. Read on to find out how!
 

1) Cheer on your favourite group as it competes to become VF-UK champion

We have three separate competition categories – Youth, University, and Community. You can purchase tickets to each individual final – get yours here, from £12 (get 25% off before 7 April).
 

2) Rub shoulders with fellow singers and attend our series of workshops and forums across the weekend

Throughout the weekend, internationally renowned a cappella professionals will lead a series of workshops on improvisation, beatboxing, vocal health, dancing, recording, and more. These workshops are open for everyone to attend – purchase your Weekend Pass to join us in the workshops, and gain access to all the competition finals too, from £39 (get 25% off before 7 April).
 

3) Join the conversation on social media

Can’t be there on the weekend? We’ll be sad to miss you, but we’ll be sharing all the best bits of the weekend on our Twitter and Facebook accounts, as well as live-streaming the results announcements on Facebook Live, so you don’t get that FOMO feeling. Got something to say? Use the hashtag #VFUK2017.
 
We’re looking forward to welcoming you to West London in just 6 weeks!


Judging Lineups: University Semi-Final

We’re really excited to be able to announce our judging lineups. These judges will have the tricky task of narrowing it from 12 University Groups on Friday to 5 for the Final on Saturday. Remember you can get tickets here.

 

Yvette Riby-Williams

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Yvette Riby-Williams appeared twice as a soloist at the royal Albert Hall before the age of twenty-one. Since then she has performed with a number of well-known musicians including Imogen Heap, Shlomo, Seb Rochford and Jarvis Cocker. In the last years she has made a name for herself in the beatbox and a’cappella circles with the ‘Boxettes’ selling out venues such as the Jazz Cafe, Cargo and the South Bank as well as performing in festivals all over the world. She is an experienced music educator, promoting creative learning for all ages.

 

Richard Eteson

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Richard Eteson is one of London’s most versatile and accomplished tenors. From local beginnings as a choirboy in Bingley, West Yorkshire, he went on to become Head Chorister at King’s College, Cambridge, later returning there as a tenor Choral Scholar studying Japanese and English.

For over 10 years he sang high tenor with The Swingle Singers, travelling the world, recording 8 albums and performing in many of the world’s leading venues such as La Scala, Milan; The Concertgebouw, Amsterdam; Suntory Hall, Tokyo; the Esplanade Centre, Singapore; and the Parco della Musica, Rome. In 2010 he founded the London A Cappella Festival.

He has sung with many of London’s finest vocal groups, choirs and session groups (The Gabrieli Consort, Tenebrae, The Temple Church, Polyphony, Tonus Peregrinus, The Brabant Ensemble, The Eric Whitacre Singers, Heritage Voices, The Philharmonia Voices and London Voices), and regularly appears as a soloist of oratorio in the UK. He is frequently called upon as a judge of singing competitions and is a tutor for the National Youth Choirs of Great Britain.

The many varied projects he has been involved in have seen him work with artists such as Luciano Berio, Antonio Pappano, Jarvis Cocker, Scott Walker, Hans Zimmer, Sting, Aphex Twin and Goldie. He has made over 50 CD recordings and sung on numerous blockbuster movie soundtracks (e.g. Harry Potter, The Hunger Games and James Bond Spectre).

He also has sleeve credits for dog whistling, playing coconut shells and the “Good Friday Clacker”.

 

Paul Smith

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Paul Smith is an innovative and creative performer, an inspirational educator and an empowering public speaker. As CEO of the VCM Foundation, co-founder of VOCES8 and author of The VOCES8 Method he has enjoyed a decade of work including global travel to prestigious concert venues, schools and universities. Paul is passionate about the impact singing and the arts can have in the widest possible context – from academic improvement to social skills and building more cohesive communities. He uses that passion to design and deliver unique, inclusive and uplifting performance projects.

The VOCES8 Method, written by Paul, is published by Edition Peters in three languages, and is now being used in thousands of schools in nine countries. The Method is designed to link specific music-making activities with academic improvement in numeracy, literacy and linguistics.

Since its inception in 2007 the VCM Foundation has worked with more than 250,000 young people. Projects have included massed singing performances at the Royal Opera House (London), Cité de la Musique (Paris) and La Folle Journée (Nantes); and with ‘singing city’ projects in cities such as Torino, Wroclaw, Lyon, Hannover, Houston, Albuquerque, Dallas/Fort Worth, Bermuda, Nairobi, Lagos, Dubai, Tokyo, and Taipei. Working in partnership with the Diocese of London, Paul has spearheaded the creation of a home for the VCM Foundation at the Gresham Centre, a centre for excellence in vocal music performance, education and outreach in the heart of the City of London.

As an educator and public speaker, Paul has given speeches and created sessions on music and leadership, teamwork, health and wellbeing, music and creativity and The VOCES8 Method. In 2014 he gave a TEDx talk entitled “How can we use music to help us learn?”. Engagements at international conferences include the ACDA National and Regional conventions; Europa Cantat; the London Music Education Expo at the Barbican; Chor.com, Germany; the World Symposium of Singing in Budapest at the Liszt Music Academy; Singing Cities at BOZAR in Brussels; and at the Royal College of Music in London.

Paul has been singing for nearly 25 years, first as a boy chorister with the choir of Westminster Abbey, and, since 2005 with the group he co-founded with his brother, VOCES8. As a recording artist with Decca Classics, Paul has featured on bestselling, chart-topping albums and won a host of international awards.


Judging Lineups: University Final

We’re really excited to be able to announce our judging lineups. Here’s the judges who will be picking our University Winner. Remember you can get tickets here.

 

Nic Doodson

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Nic Doodson has been at the forefront of the global a cappella scene for the past 20 years as a performer, director, competition judge and producer. As a performer he founded The Magnets and took the group from amateur student beginnings to the most successful a cappella group to ever emerge from UK. The Magnets were the first contemporary a cappella group to land a major record deal when they signed with EMI in 2001 and went on to release three ground breaking and award winning records. Notching up over 2000 performances throughout Europe, the Middle East, Asia, Africa and Australia, The Magnets set the template for contemporary a cappella performances which is now followed by up and coming vocal bands the world over; in many countries The Magnets were the first a cappella group to break through to the mainstream pop field and have performed to sold out crowds in cities such as Mumbai, Jerusalem, Harare (Zimbabwe), Moscow, Calcutta, Shanghai, Nanjing (China), Sydney, Auckland, New York, Berlin, Vienna, Singapore and many others.

As a producer Nic has created and managed a cappella shows at festivals throughout Europe, Australia, and New Zealand and as one of the most experienced a cappella performers in the world has judged multiple national and international a cappella competitions.

 

Grace Savage

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Having established a world-class reputation in the beatboxing scene with THREE British Beatboxing Championship titles under her belt, Grace is set to break into the music industry by harnessing her extraordinary vocal power in a melodic blend of edgy electronic pop. Her Debut EP is a beautifully crafted selection of dreamy, atmospheric pop which perfectly showcases Savage’s ethereal vocals alongside her beatboxing talent. With crashing beats, brooding production and hypnotic synth, the lead track ‘Diamonds on Your Skin’ was crowned the favourite of the show by the panel on BBC INTRODUCING Devon.

Fronting a live band and singing, Grace has shared the main stage at festivals with the likes of Rita Ora and Katy B, supported Labrinth and Newton Faulkner on his solo tour, as well as performing at the Glastonbury Festival and Jamie Oliver’s Big Feastival. Grace’s loop station cover of BANKS ‘Waiting Game’ recently caught the eye of SBTV founder Jamal Edwards, leading to her SBTV debut and a request from the man himself to make a follow up which will feature on the website very soon.

Savage’s extraordinary creativity spans across her singing, acting and beatboxing alike, with Grace recently been listed as one of ELLE UK’s ‘Top 100 inspiring women’ alongside the likes of Angelina Jolie and Oprah Winfrey. Following success at The National Theatre and a solo show at SOHO Theatre, Grace is receiving repeated high praise from the likes of The Guardian, The Telegraph, The independent, Metro, London Evening Standard to name but a few and is now signed to UNITED agents as an actor.

 

Russell Scott

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Russell Scott has been in the music industry, professionally, for over 35 years working in the worlds of Classical and Musical Theatre. He is not only a Producer and Musical Director, but an accomplished Singer and Vocal Coach.

As a performer he has performed all over the world, as a soloist and with leading choirs and orchestras. With over 100,000 record sales across his 4 solo albums, he’s also appeared on countless film soundtracks, opera, pop and musical theatre recordings.

His company, Russell Scott Entertainment Limited has developed into a successful and reputable entertainment production company specialising in creating and producing high profile, high-end productions. It has produced a number of hugely successful shows across the UK including ‘An Evening of Don Black’, ‘An Evening of Tim Rice’, ‘The Wonderful World of Ashman, Menken & Schwartz, and ‘From Stage And Screen… And Back Again!’ which raised over £15,000 for charity. He produced the critically acclaimed ‘Godspell In Concert’ at the Lyric Theatre in London’s West End in 2014 which went on to tour the UK in 2015.

Specialising in ‘performance’, he regularly directs masterclasses and workshops, and has worked with choirs and ensembles around the UK including the acclaimed Military Wives Choir. He is Musical Director of Next Stage Choir and Waddesdon Manor Choir.

Russell leads an enormously busy life having achieved great success in the cross-over of genres. Music is his soul and his passion, and he is committed to finding and developing new musical talent, giving opportunity to those with the ability and dedication to succeed at the highest level.

For more information about Russell Scott, please visit www.russellscottentertainment.com. He can be followed on Twitter at @RussellScottUK and presents his own YouTube blog, A Life In Music with Russell Scott, aimed at performers who strive to be the best they can be.


The University of Exeter’s Semi-Toned – VF-UK University Champions 2015

Semi-Toned 2015Semi-Toned have been involved with the Voice Festival UK since before I even went to university. In 2012, the group, barely eighteen months old, entered the South West regional of the competition in Bristol. Although they made a strong impression, taking home the awards for outstanding arrangement and vocal percussion, they lost out on a place in the final to Bristol’s HotTUBBS, a group Semi-Toned would not cross paths with again until 2015’s Voice Festival weekend. The following year—my first at university—the South West regional competition was held in Exeter. By then we had abandoned our barbershop roots and performed a much more contemporary set, consisting of Cee Lo Green, Hard-Fi, Stevie Wonder and Muse. It was in this performance that the group first began to realise its potential, with judge and former Swingle Singer Tobias Hug offering strong words of encouragement. However, the confidence we had gained was soon washed away at the London final, where it became clear that we had a long way to go to catch up with the other, more established university groups. We left empty-handed, but excited to have ‘broken in’ to the university a cappella circuit, even if the best compliment we received was Dominic Peckham’s observation that our outfits matched the stage curtains.

In the summer of 2013, Semi-Toned headed to Edinburgh to put on our first ever Fringe show. We improved massively in preparation for this, and the work paid off—the show was a huge success, and by the time Voice Festival 2014 rolled around, we had established ourselves as a group to watch out for. This improvement was well-timed, as the Voice Festival’s decision to scrap the regional competitions in favour of a video submission-based system meant that all groups were competing with each other, across the nation. As you can imagine, whilst this was fairer, the standard necessary to be invited to the London semi-final was suddenly much higher. Thankfully, we made it through both the video round and the semi-final. At the final, we made a much stronger impression than the year before, largely due to the outlandish nature of our set—our mash-up of Olly Murs’ “Dear Darling” and Ylvis’ “The Fox” certainly managed to a raise a few eyebrows, as well as our Tolkien-tinged version of John Newman’s “Cheating”. We managed to snatch two awards—including “Best Soloist” for the irreplaceable Michael Luya—but lost out on the ultimate prize to the professionalism and charm of Oxford’s Out of the Blue, whose stunning rendition of “The Sound of Silence” meant they became the first group to win the competition twice.

Having felt that we were so close to winning, it would be a lie to say we were not disappointed that day. It was becoming clear that the standard of UK collegiate a cappella was improving exponentially, and we certainly felt the pressure to get ourselves ahead of the curve in preparation for our second Edinburgh Fringe show that summer. Despite any internal doubts we had, the group managed to pull it off, and “Toned Up!” managed to cinch a Bobby Award, one of only a handful given out that year by review company Broadway Baby. This perfect end to the academic year was slightly foreboding for me, as I had just been elected as Semi-Toned’s first official musical director (the group had run itself somewhat anarchically since the departure of founding father and eternal president Eddie Henley). I knew when the 2014/2015 year began that the only way the group could outdo itself again was to win the Voice Festival.

This was also the year that the group underwent its most significant re-shuffle in terms of membership. With five new faces in a twelve-man group, first term was largely spent frantically learning repertoire to quickly crank the group up to the standard we were used to. I can’t praise our new members enough for the diligence and raw talent they displayed in the early weeks of this year, performing music at multiple large gigs which they had barely gotten a chance to learn. The upside of all this raw focus, of course, was that, even though almost half the group had changed since Edinburgh, Semi-Toned were back on form very quickly, and earned an excruciatingly close second place at the ICCA’s first British regional in January 2015. Our friends in All the King’s Men took the prize, and as they performed their victory song we began to set our sights on the only goal we had left—Voice Festival 2015.

As usual, our preparation was anything but structured. Having customised our ICCA set for a microphone-based performance, we knew we could not simply touch it up and take it to Birmingham in April for VF-UK. But the problem with knowing that you need new repertoire is that you have to actually write new repertoire—and waves of inspiration are few and far between. Thankfully, we already had a fantastic number arranged by Eddie Henley, an aggressive mash-up of “No Church in the Wild” and the theme from Game of Thrones which featured in our 2014 Edinburgh show. Newbie tenor Ted Bartram took on the seemingly impossible task of replacing Adam Carpenter in this song, and gave the solo an icy, characterful flavour that we knew was sure to impress.

Michael Luya Semi-TonedOur two other semi-final pieces turned up as and when we needed them, which is always the way. My mash-up of “Uptown Funk” and Flo Rida’s “Low” (“Lowtown Funk”, geddit?) meant we had the comic element we always strive for, and Rob Cross, who had previously only dabbled in arranging, surprised us all by turning up with a stunning arrangement of Regina Spektor’s “Samson”, meaning we had the Luya-bomb primed and ready to drop. However, we still had a big, gaping, four-minute hole that needed filling in case we got through to the final and had to perform for twelve minutes instead of eight. We began to wonder what old song we could slot in there—perhaps Mulan’s “I’ll Make A Man Out Of You” would do it, or even Meat Loaf’s “Dead Ringer for Love” which went down so well in Edinburgh?

But then a thought struck me—in our Edinburgh show, a number that really pleased the audience was our rendition of “Cry me a River”, which replaced Justin Timberlake’s famous falsetto with a trio of basses. The general lack of solos for those of us blessed (or cursed) with lower voices was something I wanted to exploit again, and a few days later I had arranged a version of the famous bass solo “If I Were a Rich Man” from Fiddler on the Roof, mixed up with Gwen Stefani’s “Rich Girl”. We decided to take a risk and make this song our ‘secret weapon’, opting not to perform it in the semi-final and just pray we got through to the final. We soon began to regret this when we saw the standard of the competition in the semi-final—every single group performed better than we had ever seen them perform. How on earth the judges managed to whittle the twelve competitors down to just five finalists is beyond me. We particularly enjoyed the other four groups at the festival representing the South West—our old friends from Bath Aquapella were classy as ever; the Bristol Suspensions had come on leaps and bounds since we first met them back in October; our female counterparts the Sweet Nothings absolutely raised the roof with their version of “Midnight Caller”; and we finally got to see the HotTUBBS perform again—their instruction “Don’t forget the Mexican spices” has quickly become something of an anthem for us.

Semi-Toned 2015If we thought the semi-finals were tough, the finals were on a different league altogether. Every year the Voice Festival UK gets better, but in 2015 the standard was unreal. At one point, when the judges were about to announce the over-all winner, I reassured my friend Tommy that any single one of the groups deserved to win, and that we should not be ashamed to be a runner-up amongst such stellar competition. When the judges announced that we had won, the room exploded—I honestly can’t remember much about what happened next, except that we performed “Rich Man” one more time, at a tempo that, as musical director and as the song’s soloist, I would definitely call ‘uncomfortable’. Nonetheless, it was the perfect end to a perfect weekend, and the next day, bleary-eyed and still not quite believing we’d finally done it, we headed down to Heathrow to begin our first ever international tour to the east coast of the USA.

Thanks to Edward Scott of Semi-Toned for contributing this guest post.


Meet the Judges (University Final 2015)

Joanna Forbes L’Estrange

Jo Forbes imageJoanna Forbes L’Estrange was Born in Bangor, North Wales, into a family of professional musicians (granddaughter of the viola player and arranger Watson Forbes and daughter of composer Professor Sebastian Forbes, both of whom have entries in the Grove Dictionary of Music). She studied cello and piano, both to ABRSM Grade 8, playing in the Surrey County Youth Orchestra, conducted by the late John Forster.

Joanna is a graduate of Oxford University – she studied singing, sang in the chapel choir of Merton College, played cello in the Oxford Philharmonia Orchestra, and toured and recorded CDs with Schola Cantorum of Music, under Jeremy Summerly (1990-1993). She holds a PGCE (Secondary Music) from Reading University and has taught music, cello and singing.

She was Soprano and Musical Director of The Swingle Singers between 1998 and 2004, and since leaving the group has been a freelance soprano, jazz singer, choral conductor, adjudicator, lyricist and workshop leader.

Tobias Hug

Tobias Hug has been singing, teaching, travelling for almost 20 years – deeply involved in the global a cappella and choral music scene as a cappella journeyman and beatbox gypsy.

Based in London, Tobias has performed or collaborated with The Swingle Singers, Bobby McFerrin, World Music stars Zap Mama, the Puppini Sisters, the London Voices, Jazzchor Freiburg and many more.

He currently performs with his The Beatbox Collective, with his own Loop Solo Programme and focusses on Master Studies in ‘Rhythmic Choir Conducting’at the Royal Conservatory of Aalborg, Denmark. His new group Beatvox recently won the UK Event Entertainment Award 2014 for Best New Act (‘Beat the Brief’ Competition).

His deep passion and commitment to teaching leads to workshops and residencies in places as diverse as Singapore, Norway, China and Kenya. Italy though has always been an important centre of his work.

As session singer and member of London Voices he has performed on numerous movie soundtracks including The Hobbit and Interstellar. As a voice-over artist, Tobias has been featured on several BBC Radio programmes and commercial computer games.

From 2001-2012, Tobias sang with Grammy-Award winning a cappella group The Swingle Singers.

Tobias is co-founder of EVA, the European Voices Association and most recently of the new italian a cappella festival Vocalmente for which he is acting as Artistic Director and Producer. He advises and adjudicates at festivals like VocalAsia (China), Terem Crossover Competition (St Petersburg/Russia) the UK Beatbox Championships, Solevoci (Italy) and the CARAs (Recording Awards.

Clare Wheeler

Clare WheelerClare grew up in Kenya before moving to Manchester to attend Chethams School of Music, where she trained as a classical violinist and also studied classical voice. During this time she met bassist Steve Berry of Loose Tubes, and started getting into jazz. She followed on to Guildhall School of Music and Drama in London to study composition and voice on the jazz course under Lee Gibson, Pete Churchill and Tim Garland, as well as classical singing with Penny Mackay. Clare freelanced in London as a jazz singer, composer and arranger, and taught Music Theory and Harmony at the Academy of Contemporary Music, before joining the internationally renowned Swingle Singers in the summer of 2007. Although the group takes her abroad for much of the year, she still writes prolifically for her own ensembles.


Meet the Judges (University Semi-Finals 2015)

Sheona Urquhart

SheonaSheona Urquhart has enjoyed many various facets of the Entertainment industry. After graduating from Victorian College of the Arts, Sheona traveled the world as a singer onboard P&O and Princess Cruise ships. After deciding to return to solid ground, she then tried her hand at television, landing herself a role on Neighbours as Candace Carey. Sheona has also written and performed in the live and online comedy duo hit TV Live On Stage. Boasting over 340,000 Youtube views and two sell-out seasons of their live show, TV Live on Stage showcased Sheona’s natural knack for comedy, characterization and writing music parodies.
From 2010-2014, Sheona was founding member of Australia’s sensational pop a cappella group Ginger and Tonic. Sheona was also the choreographer and occasional music arranger for the group. After debuting on Australia’s Got Talent, Ginger and Tonic has since performed all over Australia, earning various a cappella awards. The group’s first album ‘Shake It!’ was released in 2011, just before the group’s tour to Germany, representing Australia in the International A Cappella Competition in Leipzig. Ginger and Tonic has featured at many festivals including Queenscliffe Music Festival, Midsumma, Port Fairy Folk Festival and Adelaide Fringe festival, where their show ’50 Shades of Gay’ was awarded Best Music by the Adelaide Advertiser. Ginger and Tonic will be releasing their second album in 2015.
Sheona has recently relocated to London, where she works a session vocalist, providing backing vocals and arrangements for various commercial artists, as well as test driving new Musical Theatre soundtracks. She is absolutely thrilled to play a part in this year’s Voice Festival.

James Davey

James DaveyJames Davey is one of the UK’s most distinguished and respected young choral directors, in demand for his work as conductor, choir trainer, choral education practitioner, arranger and adjudicator.

A graduate of the MA Choral Education course at Roehampton University, James is Musical Director for; Chantage – BBC Radio 3 Choir of the Year 2006, the Chandos Chamber Choir, the Aylesbury Festival Choir, the Fleet Singers and a number of work-place choirs, including staff choirs at Channel 4 TV and FreemantleMedia.

Formerly the chief choral advisor for the BBC’s sheet music archives, James regularly conducts and prepares choirs for broadcasts on TV and Radio, and he is also a choir trainer for the Royal College of Music Junior Department, a Guest Conductor for the National Youth Choirs of Great Britain, and a tutor for the Cranleigh Choral Week, the Ingenium Academy and the Sherborne Summer School of Music.

Willy Eteson

Willy EtesonRichard Eteson is one of London’s most versatile and accomplished tenors. From local beginnings as a choirboy in Bingley, West Yorkshire, he went on to become Head Chorister at King’s College, Cambridge, later returning there as a Choral Scholar studying Japanese and English.

For over 10 years he sang high tenor with The Swingle Singers, travelling the world, recording 8 albums and performing in many of the world’s leading venues such as La Scala, Milan; The Concertgebouw, Amsterdam; Suntory Hall, Tokyo; the Esplanade Centre, Singapore; and the Terme di Caracalle, Rome.

He sings with many of London’s finest vocal groups (The Gabrieli Consort, Tenebrae, Polyphony, Opus Anglicanum, Tonus Peregrinus, The Brabant Ensemble, The Eric Whitacre Singers, Heritage Voices, Philharmonia Voices and London Voices), and is regularly in demand as a soloist of oratorio.

The many varied projects he has been involved in have seen him work with artists such as Luciano Berio, Zubin Mehta, Jarvis Cocker, Scott Walker, Frank Zappa and Goldie. He has made over 50 CD recordings and sung on numerous blockbuster movie soundtracks, flashmobs & adverts. He also has sleeve credits for dog whistling, playing coconut shells and the Good Friday Clacker.

Richard is an avid supporter of a cappella, being a co-founder of the London A Cappella Festival in his final year in the Swingle Singers in 2010, and appears frequently as an adjudicator of singing competitions in schools in the UK and as a coach for the National Youth Choirs of Great Britain.


Primary school children begin their a cappella journeys with Out of the Blue!

We always love it when groups from across programmes meet up to learn from each other – so imagine our delight when we heard that Out of the Blue – veritable a cappella celebs and current Voice Festival Champions – were heading to Eynsham Community Primary School in Oxfordshire to show them some a cappella basics.

What follows makes Voice Festival blogging history – our first guest post written by primary school children! Congratulations to everyone involved in the day – we hope it inspires other groups to get stuck in with a cappella collaboration and education.

We were lucky enough to have Out of the Blue come to Eynsham Primary School on Thursday 18th December to teach us some songs and warm-up exercises.

First OOTB performed in assembly to the whole school. The song that they sang was called ‘Hips Don’t Lie’ and everybody loved it. After that they did a quick piece about themselves so that we knew who they all were, although some of us had already learnt their names! Then every class had the chance to take part in a workshop with them.

The workshop began with Out of the Blue singing us one of their songs and the best part was Jack’s dancing. Then we did some warm-ups such as an exercise to warm up our bodies where we had to shake different parts of our body and count down from 8. Next Joel gave us a quick tutorial about beatboxing which really improved our original skills. Finally Roshan taught us how to sing one of their songs – ‘The Lion Sleeps Tonight’. We were all very sad when we had to leave, but glad for the concert in the evening.

We were really lucky because OOTB came down to our class and we got to ask them questions. A few boys in our class also performed two songs for them (‘Hips Don’t Lie’ and ‘C’est La Vie’) with dance moves – it was so funny. They want to be in Out of the Blue when they are older.

In the evening Out of the Blue performed a concert in our school hall and lots of people attended. They sang lots of brilliant songs including ‘Silent Night’, ‘Rolling on the River’ and ‘Lady Marmalade’.

During the concert all children in the audience were able to perform ‘The Lion Sleeps Tonight’ on stage with them. It was AMAZING and we had so much fun!

Here are a few quotes from some children about their time with OOTB:

“Absolutely wonderful! The best part was teaching us how to beatbox.”

“The best part of the day was when Singing Squad got to sing to Out of the Blue in assembly.”

“I really enjoyed Domhnall teaching us the song ‘My Bonnie Lies Over the Ocean’ and we had to bob up and down when a word started with ‘b’.”

“My favourite part was when a few of us sang and danced for Out of the Blue.”

 

OOTB Eynsham OOTB Eynsham OOTB Eynsham


Ever wondered how to start up your own a cappella group?

It’s the beginning of the university year. Perhaps you’re a first-year, inspired by Pitch Perfect and keen to try out a cappella, but overwhelmed by the number of groups and auditions on offer. Perhaps there aren’t any a cappella groups at your university at all. Maybe you’re a second- or third-year who’s seen what the other groups can do and reckon you can do it better. Or maybe you have a revolutionary new a cappella idea and want a bunch of unwitting singers to try it out on! If you can relate to any of the above, then we highly recommend you check out our brand new Voice Festival Guide to Starting a University Group.

Between us, we have a fair few years of a cappella experience. We’ve each tried out new ideas that have worked well, and ones that have totally bombed… So now it’s time to impart some of that experience to the rest of the a cappella community. The guide contains tips on where to begin, how to find members, ideas for funding, and a couple of our favourite uni group videos and blogs that we think might help to inspire you!

This is only the first in a number of guides we’ll be putting together to help you along your aca-journey, which will all be downloadable from our Resources Page, new to the Voice Festival site in 2014. Soon, we’ll be giving some hints and tips on how to hold auditions. If you have any suggestions for guides we can create in the future, email voice@thevoicefestival.co.uk and we’ll see what we can do!

 


VF-UK at Ed Fringe: Semi-Toned!

P1040823We’re delighted to announce that VF-UK University Finalists Semi-Toned will be joining us this Friday for our Edinburgh Fringe Showcase. With two days to go, they tell us a little bit about themselves and give us a frankly ridiculously exciting teaser about their set, which can only mean one thing…

Tell us a bit about your group. Where are you from? When did you start singing together?

Semi-Toned is an all-male A Cappella group from the University of Exeter. It started 4 years ago as a barbershop quintet, at a time when the university abolished its music department. Since then the group has gone from strength to strength, growing to 12 in number and now prides itself on its wide repertoire, ranging from Justin Timberlake to Ylvis, Quincy Jones to Jay-Z. This year the group has returned to Edinburgh once again to showcase their trademark musical charisma and wit, fresh from their 5 star debut at the fringe last year and their award-winning performances at the Voice Festival’s UK finals last year.

Can you give us any hints about what you’ll be singing in the showcase?

1 hint: Winter is coming…

Is this your only appearance at the Fringe, or will you be performing elsewhere?

Semi-Toned are performing their 5 star show ‘Toned Up’ (Broadway Baby, 2014) everyday this week at the Space Symposium Hall at 4pm. Get your tickets fast before they run out!

 


VF-UK at Ed Fringe: Rachael’s Voices!

8 days to go! 

We hope you’re looking forward to our Fringe Festival workshop and showcase as much as we are. Recently we managed to have a chat with the lovely Rachael, the driving force behind Rachael’s Voices, who we’re delighted to have performing at Greyfriar’s Kirk alongside a whole host of other university groups, as well as those from our youth and community programmes, on the 8th August. 

Tell us a bit about your group. Where are you from? When did you start singing together?

The group used to be a high school choir and I was their teacher. When I moved to a different school we took the choir outside of school. They have been singing together for about 6 years but it used to be very different – a school 2 part harmony choir. We came up to Edinburgh last year and performed in a showcase with All The King’s Men and Sons of Pitches which was fabulous! The girls have had GCSEs and A-Levels this year so have been very busy, but they’re working hard to deliver a great show!

Is this your only appearance at the Fringe, or will you be performing elsewhere? 

We have a show at Symposium Hall 1st-6th at 3:05pm