Judging Lineups: Youth Final

We’re really excited to be able to announce our judging lineups. Here’s the judges who will be picking our Youth Winner. Remember you can get tickets here.

 

TobiAS Hug

Tobi

Tobias Hug has been singing, teaching, travelling for almost 20 years – an a cappella journeyman and beatbox gypsy. He is deeply involved in the a cappella and choral music scene around the globe, a connecting and well-connected figure. Based in London, Tobias has performed or collaborated with The Swingle Singers, Bobby McFerrin, World Music stars Zap Mama, the Puppini Sisters, the London Voices, Jazzchor Freiburg and many more. He currently performs with his The Beatbox Collective, with his own Loop Solo Programme and focusses on Master Studies in ‘Rhythmic Choir Conducting’at the Royal Conservatory of Aalborg, Denmark. His new group Beatvox recently won the UK Event Entertainment Award 2014 for Best New Act (‘Beat the Brief’ Competition).

His deep passion and commitment to teaching leads to workshops and residencies in places as diverse as Singapore, Norway, China and Kenya. Italy though has always been an important centre of his work. As session singer and member of London Voices he has performed on numerous movie soundtracks including The Hobbit and Interstellar. As a voice-over artist, Tobias has been featured on several BBC Radio programmes and commercial computer games.

From 2001-2012, Tobias sang with Grammy-Award winning a cappella group The Swingle Singers and was one of their longest-serving members. As their bass and vocal percussionist he was part of seven studio albums, and performed more than 700 concerts in the great concert halls (from Teatro alla Scala to the Kremlin Palace), with the great orchestras (from the Vienna Philharmonic to the Academia di Santa Cecilia) and with great artists (from Zubin Mehta to Jamie Cullum). As their former Artistic Director he set up collaborations and projects, as well as TV appearances. Together with beatboxer Shlomo (featured on Björk’s album “Medúlla”) he founded the world’s first beatbox choir (now the “Vocal Orchestra”). The Swingles’ or Tobias’ arrangements and voices can be heard on TV show “Glee”, on the most recent Monty Python movie as well as adverts (T-Mobile’s “Welcome home” Flashmob campaign, with 14 Million hits on YouTube).

Born in the midst of the Black Forest, in Freiburg, Germany, Tobias studied Music Education and never limited himself to one particular form of music, exploring anything from throat singing to vocal jazz, from Early Music to beatboxing. Beyond the a cappella world, worked or performed with German techno legend Tiefschwarz, experimental music artist Aphex Twin, classical pianist Katia Labeque, the late Les Paul, loop wizard and Imogen Heap-Collaborator Tim Exile…and many more.

Tobias is co-founder of the London A Cappella Festival and EVA, the European Voices Association and most recently of the italian a cappella festival Vocalemente which he is also Artistic Director and Executive Producer. He advises and adjudicates at festivals like VocalAsia (China), Terem Crossover Competition (St.Petersburg/Russia) the UK Beatbox Championships, Solevoci (Italy), The Voice Festival UK and the CARAs (Recording Awards).

 

Ben Sawyer

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Ben is quickly gaining an enviable reputation as a dynamic conductor and choir trainer, always able to draw the best from his singers. Having left his role of Head of Music at Tewkesbury School in August 2012, he has been in regular demand to lead workshops, start new choirs and conduct existing ones.

He has been Chorus Master for Gloucestershire Music’s Massed Chorus of 500 students which performed at the Royal Albert Hall in the ‘Music For Youth’ in November 2012. This has led to him being a founder conductor of the new Gloucestershire Youth Choir. Ben was also Assistant Conductor for Cheltenham Festival’s production of Benjamin Britten’s community opera, ‘Noye’s Fludde’, and he regularly conducts Tyndale Choral Society, Hanley Voices and Tewkesbury Voices.

Aside from conducting, Ben sings countertenor. He is a member of the international award winning male voice a cappella group, The Songmen. With The Songmen, he has toured America, China, much of Europe and performs regularly in the UK. He is also the group’s composer-in-residence and has had a number of his compositions and arrangements played on national radio. Ben has been a lay clerk at Birmingham and Gloucester Cathedrals and sings with Tewkesbury Abbey Schola Cantorum, as well as being in demand as a countertenor soloist.

 

Andrew Panton

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Award winning director Andrew Panton has held residencies at The Royal & Derngate Theatres, Perth Theatre, Stage Door (New York) and The Stephen Joseph Theatre, where he directed a premiere season of Sir Alan Ayckbourn’s work.

He is the creative director, vocal & performance coach for Susan Boyle who shot to fame following her appearance on Britain’s Got Talent in 2008 and went on to have the fastest selling UK debut album of all time.

Andrew is the Artistic Director of Musical Theatre at the Royal Conservatoire of Scotland.


Meet our 2015 Youth Competition Champions, The Dreamettes

What’s it like to win the VF-UK youth competition? The Dreamettes tell us here in their guest blog. If you’re feeling inspired by the girls’ successes and would like to get involved with the Voice Festival’s youth programme, check out our dedicated page here, or take a peek at our plans for VF-UK’s annual Take the Stage event.

IMG-20150411-WA0007The Dreamettes was formed back when we were in Y7 at Putney High School (now all in Y13). Our music department is unusual in that every single year group is represented by at least one a cappella group, if not two in most cases. Thanks to this strong a cappella tradition in the school, the Dreamettes have flourished, growing in membership and ability year by year, as well as triumphing in school music competitions.

But it was taking part in the Voice Festival UK that pushed us to our limits and made us realise what we could achieve. Suddenly a cappella became so much more than standing in a semicircle to sing a pop arrangement, and our motivation was raised to a new level. Heated discussions about choreography and presentation, which would have been given nowhere near as detailed thought a year ago, became the norm. Musical details such as note lengths, tuning and dynamics were now more vital than they had ever been before. We even dedicated some of the Easter Holidays to rehearsing for the VF-UK finals at group members’ houses (in hope that the neighbours would enjoy our heart-melting rendition of ‘Make you feel my love’)!

Soon the day of the Finals arrived, and Dreamettes set off to Birmingham, all squeezed onto a minibus with the two other a cappella groups from Putney High taking part, not forgetting three of our teachers. Many were still half asleep, but after being perked up by a trip to Costa Express en route, excitement levels began to peak. The whole coach was singing in full voice as we drew nearer towards the city.

We finally reached Birmingham Conservatoire, where the VF-UK organisers and participants were met by a crowd of 30 excited girls, ready to sing it out. The day began with some highly energised workshops on stage presence and beat boxing. With boots and cats flying all over the place, hundreds of participants united to form one unstoppable human drum kit, and let’s not forget that R600 loop machine which made us all turn green with envy.

Before we knew it we were whisked straight off to rehearsals and a sound check in the Adrian Boult Hall. Minutes passed and the nerves began to kick in. We were more excited about singing together than we ever had been before, but as we waited by the stage door it was as if we were shaking as a single body, all feeling both the same adrenalin and fright at performing in front of hundreds of people. Then one of us said ‘Guys, it doesn’t matter whether we win or not. Let’s just go out there and sing’. So that is what we did. We didn’t know whether it was our best or worst performance – all we knew is that we were out there doing what we have always known and loved.

Everything after that was a blur, and suddenly we found ourselves back on stage alongside the five other groups competing in the Youth Finals. With no idea what to expect and tension rising, we waited anxiously as various thank yous and awards were being given. There was an especially big applause from us for Jo Nicholls, the founder of the Dreamettes and the rest of Putney High’s a cappella groups, who received a special award for one of 10 arrangements she contributed towards the VFUK Finals. Emily Hazrati, a budding young composer in the Dreamettes, also won an award for her arrangement of ‘Budapest’ by George Ezra.

‘The winners brought the programme to life and made great use of the performing space’. This was the moment of truth. As soon as we heard the word ‘Dreamettes’ we all screamed at the top of our voices with shock and pure joy. There was lots of hugging, crying and laughing as we organised ourselves into formation for an encore of ‘Some Nights’. I still can’t find the words to describe how amazed and happy we felt at that time.

Photos, interviews, more hugging and crying, yet it still didn’t end there! After a celebratory dinner at Wagamamas, many of us stayed to watch the University Finals. To say that we were completely awe-struck by the groups we saw performing is an understatement – the genius arrangements, professional-level choreography and musicality blew us away and gave us something even higher to aspire to. We’ve all decided to make our University application based on places where there’s a good a cappella culture! Hosting the evening was the Sons of Pitches, and they were awesome. This made us realise that a cappella carries on even after school and University.

Taking part in the VF-UK finals has helped our group come together and given us inspiration for the future. We’d like to thank Voice Festival UK kindly for such an incredible experience, encouraging us to achieve great things as a group and providing a platform for young a cappella groups across the nation.


The Dreamettes – winners of the VF-UK 2015 Youth Competition!

Congratulations to The Dreamettes of Putney High School, who have just won our Youth Competition at Birmingham Conservatoire! The standard was unbelievably high this year and we don’t envy our judges having to pick a winner. A big well done to all who took part.

Have a watch of The Dreamettes’ fantastic versions of ‘Some Nights’ and ‘Pompeii’ and check back here soon for an interview with the winning group.


Take the Stage at London A Cappella Festival 2015

For a number of years we at The Voice Festival have collaborated with our friends at London A Cappella Festival to put on a schools event during the 4 day LACF takeover of Kings Place. This year, things were a bit different… Instead of bringing established groups together, we invited some schools that are just starting their journeys forming new a cappella groups. And what a day it was!

The brilliant Michael Humphrey kicked off the workshops for the day helping students and teachers alike develop the skills to learn and write a cappella music – it was a cappella by numbers! Amazingly, after less than an hour, we were building tricky chords, singing any interval under the sun and had 3 part complex rhythms going on.

A brief break for everyone to catch their breath and we were off again learning an arrangement of Uptown Funk from scratch. You would never believe more than half of the group hadn’t even TRIED a cappella before. An hour later, there was a very impressive version of the Bruno Mars/Mark Ronson hit being sung. Oh, and on top of that, a short mash up section incorporating some fabulous Michael Jackson, Clean Bandit, and Jessie J solos.

After lunch, the groups were treated to a rendition of Weather to Fly by The Swingles. There were LOTS of wide eyes and open mouths as they looked desperately round for the drum kit. There wasn’t time for the kids to hang around though as it was time for our new students to start writing their own music. Midway through the session the Swingles decided to recruit a new member from within the hall, but realised that their next tour to the US would be tricky as Callum had to be back at school on Monday. The day was wrapped up with a performance of Uptown Funk, a listen to Glyn School’s version of Forget You and a special song about that night’s takeaway menu.

But that’s not the end of our links with these, all the schools will now head off with their new found skills and start a cappella groups in school as members of this year’s VF-UK School Start-Up scheme. So watch this space – this won’t be the last you hear of Glyn School, St George’s RC School & William Ellis!


All the King’s Men get stuck into a cappella education

B2K3oWcCUAAnWq7 On Tuesday 11th November All the King’s Men journeyed to the Glyn School, in Surrey, to run a series of a cappella workshops across a range of age groups, including one made up exclusively of GCSE and A-Level music students. In each hour-long session the Men introduced the groups to a range of different aspects of a cappella music, including vocal percussion, harmony and breathing technique. As well as touching base with Dr. Couchman, the Glyn school’s head of curricular music and AtKM alumni Tom Hindmarch’s sister, we worked alongside other members of the music department staff to ensure the day ran smoothly. We were thrilled by both the enthusiasm of the students and the positive feedback from staff, and cannot wait to return to the school in the future.

For many of us, school workshops are a highlight of singing with AtKM. It gives us the opportunity to share our musical experiences, as well as introducing the next generation of musicians to areas of vocal music that are not included in the core curriculum. In a school such as the Glyn School, where years 7 to 11 are all-boys, one of the biggest challenges is dispelling the stigma around males singing. It is one of the most rewarding aspects of singing with the group when we get teenage boys to set aside their preconceptions about a cappella music, and join us in singing the All the King’s Men classic ‘In the Jungle’.

B2KfbSdIcAAdODyAll the King’s Men would like to thank the Glyn School for the warm welcome we received and to all of their music students for their tremendous energy. We look forward to continuing our involvement with schools and education over the forthcoming year and beyond.

A big thank you to Sam Lyons of All the King’s Men for sharing his experience of the day. If you think your group has done something noteworthy or unique with individuals from your community, and would like to write a blog post for us, email beth@thevoicefestival.co.uk for more details. Alternatively, if you’d like some tips on how to provide a cappella workshops for young people, or would like to be matched up with another group in your area, get in touch with amy@thevoicefestival.co.uk, who’d be delighted to help.


School Start-Up 2015 – What’s it all about?

P1040736Are you a teacher or do you work in schools? Want to get your boys and girls singing music that they want to sing while still working on harmonies, rhythm and allowing them to be creative? Then we would love for you to take part in School Start-Up. As ever, the Voice Festival is offering something bigger and better than ever before.

We know that getting young people singing can sometimes be tricky. Or what they want to sing doesn’t allow for collaboration and creativity. An a cappella group is THE perfect way to stimulate singing within schools. Over the last year within the Voice Festival Youth Programme we’ve seen groups of 40 boys from schools singing a cappella arrangements alongside their headteacher; we’ve seen some beatboxing by school students that you would not believe wasn’t coming from a beatboxer in a professional group; and we’ve seen lots of young groups performing arrangements that students of only 15/16 have written. It really is inspirational to see young people loving the music that they are singing.

Man BandSo how can you bring this to your school? We’re teaming up with our lovely friends at the London A Cappella Festival to offer you a launch event which will be the group’s first taste of a cappella. We’ll then send you away with a handbook and a mentor who has heaps of a cappella experience and will be on hand to answer questions and give you support on your a cappella journey. Then we’ll bring you back together with your new a cappella pals, introduce you to some University and Community groups and give you a performance event in which you can try out some of your new skills. If you like the sound of this then drop Amy an email on amy@thevoicefestival.co.uk and we’ll get back to you with some more information.


Man Band – Let’s Get Guys Singing!

Here’s a story that will warm the soul – one man’s bold and inspiring vision for boosting a cappella singing inside and outside of the classroom. Drop us a line if you have stories to share of how a cappella is growing in your schools and communities.

 In September 2011 I joined The Queen Katherine School in Kendal as a teacher of music and then was fortunate to become Head of Department in September 2012. One of my aims for the department was to develop the extra curricular programme and try and encourage more lads to get involved with singing. The department already had a strong singing culture but there was a lack of guys singing in the choirs on offer.

I already had a strong interest in a cappella singing; I had been fortunate enough to see the Swingle Singers and The Real Group in concert and had attended a workshop with the Swingle Singers. I am also a big fan of American male a cappella group Straight No Chaser. Therefore, I planned to start a new group in September 2012 that would be a male a cappella group. As for a name, the only thing that I could think of was Man Band! I did envisage this name to be changed by the lads in the future but it seems as if the name has been a hit and it has stuck!

I started by bringing the ‘classics’ to rehearsals; Lion Sleeps Tonight, In The Still of the Night etc. Things were going well but there wasn’t really a spark or buzz that I wanted. I then decided to scrap these songs and start making my own arrangements. The charts that I had been bringing were quite challenging and I had brought with me a lot of sheet music that I had bought. However, over half the lads involved can’t actually read music all too well and so sheet music actually became an obstacle. Also, I wanted the lads to get their heads out of the music in front of them and perform and focus on listening to what they are producing rather than seeing if they are singing the correct note on paper. Therefore, I started with an arrangement of I’m Yours by Jason Mraz. As I had to take into account that more than half of the group could not read music too well, I had to make the parts accessible for all, challenging for those more accomplished singers and yet at the same time, when put together, sound like the entire piece was the most complicated and refined a cappella piece of music there was! As soon as I brought this song to the group and as the lads began learning the individual parts, the buzz that I wanted grew and suddenly it clicked. Soon enough the lads were performing in their first concert in October and they were a hit!

Moving on from this first performance we have now worked on arrangements of Fix You by Coldplay and a mash up of Just the Way You Are by Bruno Mars and Stand By Me by Ben E. King. As always, the arrangements are ones that I create with the lads in mind; in effect, the music we sing is differentiated for all abilities in the group! We have performed in all school music concerts and have performed on two occasions for the Kendal Town Mayor. We are booked for another Mayor’s event in July and we are also planning a flash mob at our local shopping centre. I am working on two new arrangements, Wonderwall by Oasis and I Need a Dollar by Aloe Blacc. I am also now using software like Sibelius when writing these arrangements so that in rehearsals, using a projector and speaker the lads can sing along with their part and the more advanced musicians can actually read the music.

Man Band has been a real success and a tad selfishly, a dream come true for me. We now have 26 lads in the group, three members of staff and even the head teacher who comes down every now and then. I am fortunate to have Kevin Bell (a DT teacher and member of Man Band) who manages publicity and bookings and having this manager and director ‘kind-of’ system gives the group a little more professional feeling, which the lads like as it makes the group feel more than just a ‘school group’.

What is next for Man Band? Well, the lads can now sing together and they can sing well with expression. It is now about turning the group into a visual delight as well as auditory delight! We do a lot of standing and clicking at the moment and so some movements are planned for next year. Kevin Bell is going to help the band get involved in more performances and a cappella festivals and we are hopefully going to simply spread the name of Man Band.

My overall goal is to make singing fun, engaging and accessible to all. I knew this group was a success when in one of my year 9 music lessons when doing arrangements of the Alton Towers Theme Tune, one of the Man Band members rallied up a group of his friends to create an a cappella arrangement. Yes it was a little silly and rough around the edges, but I could not believe my eyes to see a group of lads who had nothing really to do with singing, trying to create bass lines, drum parts, pitch correctly and sing in front of their class! If this is what comes from Man Band then I am happy!

 

Rob Shillitoe Head of Music The Queen Katherine School